Bennet Drake (
thegentlemanthug) wrote2014-11-30 09:00 pm
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RS/These streets are in your marrow
After he pulls the man from the river, Ben feels uneasy in his mind, moreso than when he was first lucid after his beating. He had the opportunity to know his past, and he walked away. He is a coward as well as a friend to wretches.
He is returning from an errand in town for the dockmaster, his face apparently trustworthy despite his lack of memory, when he realises he has gone too far on the underground railway. He gets off at the wrong stop and means to return immediately to the right one, except that he knows this place. He knows it deeply and strongly, calling to him with a strong sense of who he is.
Either he can ignore it once more or he can follow it, step out from under this cowardice and learn something of who he is. And maybe he can find out the fate of that drowned man, learn something of him, know his pain and soothe it.
He lets his feet take him where they will, trying to follow his gut and not his better sense. He feels the familiarity in the streets, recognising a street sign there, a flower seller there, and his pace quickens as he draws towards somewhere he knows must be home.
The door calls to him and he runs to it, knocking hard on the wood before he can stop himself.
It opens on an older lady in an apron and, before she can speak, he tears his hat from his head and starts trying to explain himself.
"I'm sorry to disturb you, madam, but I had the strangest feeling I ought to come here today."
He is returning from an errand in town for the dockmaster, his face apparently trustworthy despite his lack of memory, when he realises he has gone too far on the underground railway. He gets off at the wrong stop and means to return immediately to the right one, except that he knows this place. He knows it deeply and strongly, calling to him with a strong sense of who he is.
Either he can ignore it once more or he can follow it, step out from under this cowardice and learn something of who he is. And maybe he can find out the fate of that drowned man, learn something of him, know his pain and soothe it.
He lets his feet take him where they will, trying to follow his gut and not his better sense. He feels the familiarity in the streets, recognising a street sign there, a flower seller there, and his pace quickens as he draws towards somewhere he knows must be home.
The door calls to him and he runs to it, knocking hard on the wood before he can stop himself.
It opens on an older lady in an apron and, before she can speak, he tears his hat from his head and starts trying to explain himself.
"I'm sorry to disturb you, madam, but I had the strangest feeling I ought to come here today."
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Ben raises himself to his full height and drops the jacket.
"We need to bring him home. Right now."
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"Go up there, while you wait. The first door on the left's your room. See if it brings any more memories back." If the Captain's jacket had had that much of an effect, maybe a whole room of their possessions may prove fruitful.
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He pushes open the door and the smell hits him, one he faintly recognises as his own and another that speaks of home, love, lust--
The headboard, a man pressed against it, head thrown back and groaning his pleasure, sweat-slick skin and damp black hair...
Bennet Drake gasps, suddenly back in the room, in his life.
He knows his name. He knows his lover. That is all he needs.
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She will need Inspector Reid's help.
"When you're ready, Sergeant!" she calls up the stairs as the cab approaches the front door. "Our transport is here!"
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Doctor. Did he know that before? Ben holds on to the piece of information, savouring it, and races down the stairs to the waiting cab.
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"We all thought you were dead..." she apologises for her own behaviour, though she doesn't stop her fussing one bit. "We were all so sure. Apart from the Captain. He never stopped believing, and now look where he is, poor soul."
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"Will he forgive me?"
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The carriage slows, before they stop at their destination. Bundling the Sergeant out of the carriage, Mrs Ramsay hands over coins to the driver before leading the way up the steps. At the top, she can see the Inspector, already waiting for them.
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He awkwardly holds out his hand to the man. "Evening."
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"Sergeant," he greets, his hand firm around Bennet's. "Bennet. Do you... do you know who I am?"
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"No, sir - I do not."
Suddenly, his heart seizes with panic. What if he doesn't know the man he loves? What if he does more harm than good by coming here?
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"I am... Inspector Reid. Edmund. We are colleagues, you and I. At H Division, Leman Street. The man within these walls works with us, too."
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He's about to name Matthew, prove he knows something of his life, but something stops him. That is not the name they use between them. Which confuses him all the more.
"We should see him?" he asks.
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"Though..." he wonders how much of Jackson Bennet remembers. "You must be aware that he is not well."
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Ben agrees that he cannot wait a moment longer and steps towards the door of the asylum.
They have not moved much beyond the corridor when they are greeted by a balding man with a pair of spectacles balanced on his hook-like nose. "It is far too late for visitors, Inspector."
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"We have found him. Sergeant Drake. The man the Captain believed he hallucinated. We are come to show him he was right."
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"You cannot just present him. It must be carefully considered - the shock could be very alarming to his fragile nerves. Come back tomorrow and we will make plans."
But Bennet will not hear of tomorrow. He will not leave his lover in his place one moment longer.
Without a word, he moves away, heading down the corridor in search of his Matthew.
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"I wouldn't, if I were you," Reid warns as the medical man looks like he might give chase to Bennet.
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The door is not yet locked and he pushes it open without knocking.
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Slowly, he's come to accept why he's here in the asylum. He knows now that Ben is dead, and that the man he'd seen down at the docks had been some sort of hallucination. He had a sickness of the mind, one that made him see things that were not real. He'd read about it professionally, and so knew such conditions existed.
The doctors here have taught him how to test his reality, by touching and asking others for confirmation that what he sees is real. They are strategies that help him with the hallucinations, but they do nothing for his mood. Without Bennet, he would still far rather be dead than anything else, and the staff have taken to keeping him on a high dose of laudanum to try and sedate him enough to keep him from trying to take his own life.
He gets plenty of visitors, though none that manage to lift the darkness. Reid is insufferable, Mrs Ramsay just frets and cries, and Treves seems more concerned in how much he's walking on his injured leg than anything else. The rest of the time, his world is this room, where nothing ever happens.
Until the door bursts open and his hallucinations burst in.
Screaming, he presses himself as far against the wall as he can, shielding his face and closing his eyes.
Not real, he tries to remind himself. Not real, not real, not real.
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He stumbles forward because he has to be near him, must comfort him, but then he stops - because clearly he is the cause of this madness, this pain.
The nurses come then, and the smug doctor. "As I said-"
Ben rounds on them all, standing protectively in front of this man who screams at his mere presence.
"You aren't doing nothing to him! D'you hear me?"
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He edges forward, brushing off the nurse who's trying to get yet more laudanum down his throat, reaching out for... no, not Bennet. He cannot think that, not until he's checked. He reaches for him, fingertips trembling inches from his shoulder. He doesn't want to touch, wants so badly for this to be real, scared that it won't be.
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"You ain't giving him that stuff," he tells the nurses. "All of you need to leave him alone so we...so we can go home."
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"Can you see him?" he demands of the nurse, who nods, startled. One.
"Can you see him?" directed at Reid, who also nods. Two.
"And you?" to his doctor who, grudgingly, admits that he can. Three.
Bennet is real.
He throws himself at the man without warning, clinging on for dear life.
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He sinks to the small bed, clutching at his lover just as tightly. He smells exactly right, and that's how he knows this is real, that he hasn't just imagined this life out of nowhere.
He is going home.
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