Bennet Drake (
thegentlemanthug) wrote2014-11-30 09:00 pm
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RS/These streets are in your marrow
After he pulls the man from the river, Ben feels uneasy in his mind, moreso than when he was first lucid after his beating. He had the opportunity to know his past, and he walked away. He is a coward as well as a friend to wretches.
He is returning from an errand in town for the dockmaster, his face apparently trustworthy despite his lack of memory, when he realises he has gone too far on the underground railway. He gets off at the wrong stop and means to return immediately to the right one, except that he knows this place. He knows it deeply and strongly, calling to him with a strong sense of who he is.
Either he can ignore it once more or he can follow it, step out from under this cowardice and learn something of who he is. And maybe he can find out the fate of that drowned man, learn something of him, know his pain and soothe it.
He lets his feet take him where they will, trying to follow his gut and not his better sense. He feels the familiarity in the streets, recognising a street sign there, a flower seller there, and his pace quickens as he draws towards somewhere he knows must be home.
The door calls to him and he runs to it, knocking hard on the wood before he can stop himself.
It opens on an older lady in an apron and, before she can speak, he tears his hat from his head and starts trying to explain himself.
"I'm sorry to disturb you, madam, but I had the strangest feeling I ought to come here today."
He is returning from an errand in town for the dockmaster, his face apparently trustworthy despite his lack of memory, when he realises he has gone too far on the underground railway. He gets off at the wrong stop and means to return immediately to the right one, except that he knows this place. He knows it deeply and strongly, calling to him with a strong sense of who he is.
Either he can ignore it once more or he can follow it, step out from under this cowardice and learn something of who he is. And maybe he can find out the fate of that drowned man, learn something of him, know his pain and soothe it.
He lets his feet take him where they will, trying to follow his gut and not his better sense. He feels the familiarity in the streets, recognising a street sign there, a flower seller there, and his pace quickens as he draws towards somewhere he knows must be home.
The door calls to him and he runs to it, knocking hard on the wood before he can stop himself.
It opens on an older lady in an apron and, before she can speak, he tears his hat from his head and starts trying to explain himself.
"I'm sorry to disturb you, madam, but I had the strangest feeling I ought to come here today."
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He sinks to the small bed, clutching at his lover just as tightly. He smells exactly right, and that's how he knows this is real, that he hasn't just imagined this life out of nowhere.
He is going home.
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"He is in here for his own good," the man replies, determined to be difficult. "You have thrown all of my good work out of the window. I cannot let you take him out of here. Unless any of you happen to be an immediate relation?"
Mrs Ramsay looks defeated, but Reid's eyes light up. "I'll be back," he promises the room, and leaves them be without further explanation.
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But though he knows him, is sure of it, he cannot recall the details of it, nothing beyond the immediate sense of familiarity and care forthcoming.
"I am sorry," he says, "but I...I can't recall you."
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"What do you mean?" he frowns, looking to the rest of the room for help. He's sick, and doesn't understand things. He doesn't know what is real and what is his imagination. He has to ask for help.
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"Out Sergeant's having some problems with his memory," she tells the Captain. "He only just remembered his way home today."
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He looks instead to the nurse, beckoning for medication. It helps, when he gets too confused.
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"I...I recognise you," he says, awkward at having to explain the vague sensations in his head. "You're familiar and I...I feel...there are many things I feel."
He's surprised to find his cheek is wet and he swipes at his eye.
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"Perhaps you could give us a minute?" Mrs Ramsay suggests to the staff, aware that the conversation her two boys need to have is not something that should be overheard by the doctor and his orderlies. Right or wrong, many would consider the love between the Sergeant and his Captain to be immoral and illegal. "You can see he's no danger."
The doctor seems unconvinced, but he knows when a battle is lost. Leaving Matthew with the laudanum, he vacates the room with his staff.
"But you don't know me," Matthew continues to look less than happy, fiddling absently with the top of the laudanum bottle. "You don't even know my name."
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He was - is - a doctor, and he knows he should understand this better than he is. But the drugs and his solitary confinement have made his mind slow, and he struggles to comprehend how his lover can know his name and his drug habits, but not recognise him in any way.
"You pulled me from the river," he points out. "You didn't know me then?"
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Bennet looks guiltily down at the hands in his lap.
"I was afraid of knowing you. Of finding out I was...bad."
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"How is that a bad thing?"
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"The woman what took me in - she thought I'd been beaten, over bad debts or the like. I didn't want to know what kind of man I'd been before."
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"The train. You were... everyone said you'd died. But you were thrown. I knew it."
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He doesn't like to admit how much of his memory is missing, not with Matthew already so suspicious, but he needs to be honest. He knows that is important between them.
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"We were... goin' away. On the train." He looks to Mrs Ramsay, who nods - she's used to the Captain checking his facts like this now. "But it crashed. You... disappeared."
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"I think."
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"I don't...I don't want you to stay here, if it makes you unhappy, but if you are not well..."
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Matthew nods; he wants to go home with Bennet, more than anything, despite his confusion and his lover's lack of memories. Everything will be better at home.
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"Where has the Inspector gone?" he asks Mrs Ramsay, as she seems to know most of all what is going on.
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"It appears your release has been secured, Captain Jackson, though I still must advise against it." Reid stands behind him, alongside...
Matthew jerks back against the wall, the same fear reaction he had on Bennet's first appearance. "Tell me she's not real..." he begs, eyes fixed on Susan.
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"Who are you?" he says to the strange woman who has caused such a reaction, before turning on Reid. "Who is she?"
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"By law, that man is my husband," Susan feels that she can speak for herself, thank you very much. "But don't worry, you're more than welcome to him."
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Apart from Matthew, who has given him a feeling of security he hasn't felt since he woke up without his memory.
"Are you here to see him released?" he asks the woman who calls herself wife to his lover.
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