Bennet Drake (
thegentlemanthug) wrote2015-04-18 09:36 pm
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Entry tags:
RS/Debt Collection
After Matthew sweats out his addiction, life returns to what passes for normal in the Drake-Judge household. Matthew signs Susan's papers, and they both agree not to politely ignore anything Reid may have to say about her.
But still something is bothering his lover, whether it's his pained leg or the lingering shadow of the drugs. Bennet does all he can to soothe his lover's frazzled nerves, with his clumsy words and the warmth of his body, but he will not be consoled.
Still, they are content, he thinks, and he's looking forward to returning home from a long day, walking Whitechapel by night without care.
Until a shadow falls across his path.
"It's time we took what's owed."
Something heavy strikes him on the head and Bennet falls to the ground, and knows no more.
But still something is bothering his lover, whether it's his pained leg or the lingering shadow of the drugs. Bennet does all he can to soothe his lover's frazzled nerves, with his clumsy words and the warmth of his body, but he will not be consoled.
Still, they are content, he thinks, and he's looking forward to returning home from a long day, walking Whitechapel by night without care.
Until a shadow falls across his path.
"It's time we took what's owed."
Something heavy strikes him on the head and Bennet falls to the ground, and knows no more.
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They'd threatened worse than just hurting him as well, the last time they'd crossed paths. There'd been suggestions that they knew how to hurt him without laying a finger on him, and that worried him more than the threat of more broken bones and nights in a bed in the London. The psychological fear haunts him, and as soon as it becomes apparent that Bennet is late home his fears escalate faster than he can calm them.
"Has there been no word at all?" he demands of Mrs Ramsay for the third time in as many minutes, peering out the window of their front room onto the darkening street outside.
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The room is gold and black, garishly bright, and he sees the jackal-headed Anubis staring at him. Dragging him back to the sands and the blood-soaked terror of that time.
"Welcome, Sergeant. Time to pay the Devil."
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"I have to go out," he finally decides, unable to wait a moment longer.
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"You are not," she says. "Not without saying what's going on."
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"I'm going to find Bennet," he tries to talk his way past his ridiculously overprotective housekeeper. "He should be home by now."
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"And what are you going to do, out there alone by yourself? Hit them with your cane?"
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"'nd then we'll go find Ben together."
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"Bring him home."
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"Please?"
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"Take a cab straight there. Don't walk the streets. You know what's befallen him, don't you?"
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"Don't know."
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"Well, don't get yourself in trouble neither."
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As promised, he goes straight to Reid's door, hoping that Susan won't be the one to greet him as he knocks. He's in luck, and the Inspector himself comes to greet him. Matthew quickly explains the situation in his own terms - Drake's not come home, they should probably check in at Leman Street but he thinks he knows what's happened - and leaves it at that. No need to admit to exactly who these assailants are, just yet.
Reid follows him out to the waiting carriage, and they make their way onwards to Leman Street. As expected, the place is quiet, no sign of Bennet. Arthurton, working late, assures them both that Drake had left for home several hours since.
Matthew knows the men who had threatened him, and he knows the den out of which they operate. It's walking distance from Leman Street, and he leads the way, leaning heavily on his cane as the night air stiffens the joints of his leg. Down a seedy alleyway, he stops at a door.
"In here," he tells Reid. "'s an opium den, but there's a door at the back. Leads through to more rooms. He'll be there."
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When they press the cup to his lips, he has to swallow or choke, and he lets the cup fall to the floor, swaying on his knees as he stares up the man who looks like a god, Amun-Re himself.
"Your boy will learn his lesson well this time."
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But they're here for Bennet, and Bennet means more to him than all the drugs in the world. Fighting the screaming temptation, he ploughs onwards, indicating the next door to Reid to knock aside.
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"Come for your boy, Jackson?"
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He's across the room in two bounds, his cane repurposed as a weapon as he brings it down across the baron's head.
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Bennet slumps to the floor, far away, too hot - the Goddess is coming for him.
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He vomits on the floor, the room spinning dizzily.
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"You're alright."
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"I...I killed you all."
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"No one's dead... not that matters, anyway."
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"In the desert...you died..."
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"'s what they gave you, made you hallucinate."
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